646f9e108c In 1972, the conflict in Vietnam continues. The creeping threat of communism grips the nation in fear. In an abandoned prison on the US/Mexican border, KGB mole Nikolai Dzerzhinsky waits for his contact from the Washington Post. He holds explosive evidence against the CIA, information he will trade for asylum in the United States. Special Agent Robert Harper's orders are clear: take the documents from Dzerzhinsky and kill him.
INGREDIENTS<br/><br/>One (1) of the Russians from 15 Minutes (but temper him till we can empathize–in this case with a standout performance by Ross Marquand that in many aspects leaves in the dust the rest of the community theater cast who get any real screen time, aside from a couple big-name-recognition cameos that do leave you wanting more).<br/><br/>One (1) Bob Woodward-like character from All the President's Men. <br/><br/>One (1) '70's parody detective character from Tom Jane's Stander. <br/><br/>One (1) Ed Harris-like, Fedora-wearing Parcher-based character from A Beautiful Mind.<br/><br/>One (1) Serpico look-alike good-guy-turned-bad-guy. Pinch (to taste) of generic, disposable "red-shirt" henchmen (or is it now "hench-people" or perhaps "hench-persons"?) extras.<br/><br/>DIRECTIONS<br/><br/>On a mise-en-scène stovetop with lighting inspired by the look and feel of Peckinpah's Wild Bunch, stir in the plot of the SciFi film Enemy Mine over very low heat, bind one character to a chair a la Reservoir Dogs (but "torture light," please…rest assured that no ears, or 'nads–"I get my kicks above the waistline, Sunshine!"–were harmed in the making of this movie). Add a touch of virtually any and all Die Hard films, then barely simmer for 94 minutes, and…<br/><br/>What you'll be rewarded with here is a technically proficient, impressively-executed-for-an-incredibly-low-budget, film that's touring the festival circuit in 2010-11. A Lonely Place for Dying definitely clears the bar technically (and kudos on achieving that look for only $200k), but just sneaks under the fence creatively, albeit with a few memorable lines and set pieces. Aside from achieving some very nice visual effects, enviable ambiance, and the accompaniment of a very professional and dense musical score (that unfortunately sometimes seems to cover up "important" dialog) at really rock-bottom prices, there's not a lot to see here that you haven't already seen, BUT…with the right backing and a real budget, Robert Rodriguez-style director Justin Eugene Evans clearly demonstrates that he has his technical chops well in order, and he just might pull off a darned good film in the near term if he stays focused and motivated…and uses fresher, home-grown ingredients!
They don't make spy movies like this anymore! It feels so real and honest. I've read other reviews and all I can think is those people must be so old they've forgotten that this kind of movie IS original! When in the last 30 years has there been a spy film that focuses so much on characters? The characters are wonderful! Nikolai is both charming and a killer. I love even the smaller actors! The guy who plays the military man who is shot in the head and yells "I'M TALKING TO YOU!" is fantastic.<br/><br/>SPOILER ALERT SPOILER ALERT This is where I write about the plot so don't read it if you don't want to know the story.<br/><br/>So the film is about a KGB double agent who is escaping Russia. His CIA controller refuses to help him and NIkolai is forced to sell secrets about the CIA to the Washington Post. When the Washington Post finds out the secrets are about nerve gas being used in Laos they agree to meet him in Mexico.<br/><br/>I won't say the rest except to say that it is incredibly good. The words that come out of the actors is the best part. The story is very surprising. Yeah, it's a spy film and yes I've seen spy films before but this is such a great, smart, fun movie! There are twists and turns I never saw coming. This movie is definitely worthy of your time.


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